Greater meaning, emotional and aesthetic load photos is color. The color palette of contemporary photography is wide. Nevertheless, the photographer is facing a more technically complicated task, rather than a painter, as photographic materials is not as perfect as the eye of the artist. Therefore, when filming must take into account a feature color photos as color distortion. But even with perfect possession of a photographic technique is' mandatory aesthetic comprehension of the proposed image, ie, the correct placement of color accents, tastefully chosen a combination thereof, should be taken into note that colors interact, complement, reinforce each other. But we must not forget that the color, being in a harmonious unity with each other, must be coordinated with other components of the composition: the light movement, space and color composition, etc.
can be built on contrasts or solved in one key, can be isolated or distorted one of the colors, if required by the idea of the photograph. Color in the pictures are always create a mood that is also connected with the physiological perception of various colors. For example, red makes a person a feeling of anxiety, excites him, black is associated with grief, causing fear, gives a sense of mystery, green – a calming effect, etc. In this case, physiological sensations are in a difficult synthesis with historical notions about color. Red color – this color revolution symbol of victory. Black in the modern era – the color of mourning, etc.