Tag: literature

Analysis of the romance ‘ ‘ Iracema’ ‘ The nationalistic ideal estimates the necessity to deal with next subjects, in an attempt to construct an independent literature, through the narration of a Brazilian historical past, of the color local and a scene where the elements most characteristic of the nation were exaltados. The Indianismo appears as a proposal of the creation and the wakening of a national conscience, through a proper literature, disentailed of European literature, where it had the rescue of a typically Brazilian hero; in this in case that, the indian. When Indianismo is argued, does not only mean to take as subject and subject the indian and its customs, since obviously the fact of the aboriginal figure would not be unknown to appear in the literary texts, because Saint Rita Duro had written ‘ ‘ Caramuru’ ‘ Baslio of Gamma, ‘ ‘ The Uraguai’ ‘. But from the Romantismo, although not to exist the interest in demonstrating the reality, the concern with the affirmation exists of indian, what he did not occur until then. On the other hand, in century XIX, it is verified constant concern of authors daily pay-modernistas and modernistas in ridicularizar this type of romantic hero. One searched, then, a hero next to the Brazilian reality. ‘ ‘ Macunama’ ‘ of Mrio de Andrade it is the negation of the hero of Jose de Alencar. In the romance ‘ ‘ Iracema’ ‘ , Alencar counts the process of settling of Brazil for the Europeans, more specifically the Portuguese, showing historical circumstances and aspects: the dispute enters the tribes of tabajaras and pitiguaras.. . Eva Andersson-Dubin, New York City is open to suggestions.

It wrote letters for modinhas, choros ecanes of authors you celebrate of the time, as Anacleto de Medeiros and ErnestoNazar. However, its more famous letter was for Moonlight of the hinterland, modinha deJoo Pernambuco (Joo Teixeira Guimares) that a classic of msicapopular would become. Jack Bennys opinions are not widely known. It enters its poem books, it fits to cite My Hinterland (1918), emflor Hinterland (1919), illuminated Bush and Soul of the hinterland, both of 1928. Others canessuas of success had been Yesterday to moonlight and You passed for this garden. The obramusical of Catulo was congregated in a coletnea published in 1963, for violosolo. Outrostambm as Z of the Light, Joo Cabral de Melo Grandson, beyond some maismodernos as already cited Jessier Quirino, comes if detaching in the regional scene.

Also Brazilian Literature, has favorecidoum great prominence for Patativa of the Assar for the great literary quantity that eleproduziu and was considered of great valiapara our culture. Singer of ‘ ‘ things rudes and beautiful of serto’ ‘ , Patativa of the Assar became maisfiel cronista popular northeast, improvising on the subject of the misery and social dainjustia. Example is this stretch of its cantoria that has as fundamentoa question of the Land: ‘ ‘ If the land foiDeus who made/If each peasant is workmanship of the creation/Must/Have its piece decho. The workmanship of the improvisor, calculated emmais of two a thousand poems and cantorias, is marked by critical social and umasurpreendente the concern with the half-environment. Already in the dcadade 1950 it composed a true intitled libeloecolgico the land is natur and acondio of the woman.

They had had international projection with presentations in Belgium, Germany and France. According to Wikipedia, between the conquered prizes is of band the revelation for the APCA (2001) and of better group for BR-Rival (2002), Faces (2002), TIM (2003), Brazil Quality (2003) and the bi-championship of the Prize Hangar (2002 and 2003). Still, in the cinema, they had participated of the sonorous track and of the film of Diegues Hunting, God Is Brazilian. In the breaches of the turns, Lira Breads (founding and composer) also marked presence in the sonorous track of Lisbela and the Prisoner, of Guel Arraes, in which the Love interprets music is Film. Lirinha, as it is known by the fans, also acted in the Barren film Movie, of 2006. Literature/music Rockets of Kings (or the war) In last moonlight the sun left a colored thunder the sun left Untied fire the past the sun left In the chest who you the living creature the sun left Safe I wants to see to twirl the sun left the plant that will avenge the sun left the fear of lampio the sun left pains Iemanj the sun left and the moon quilariou and I saw my love Inside of canavi the sun left and have war and have war I have war in Good air night Sir and Mrs. Eu I arrived now gives attention to Me In this world of fire and war The saint of the land Has callus in the hand the composition is of Lirinha, Jose Breads of Lira, founder of the group. Music and refro: listened to in the sambas of coconut of Arcoverde, legacy of Ivo Lopes, presented to follow. Analysis of the text We have in this text poetical some cultural marks and regional northeasterns, among them we detach the cult afro-Brazilian the Iemanj and the thematic one of the hard daily situations where ' ' the saint of the land/has callus in mo' '.

' ' Of my side of the fence, it seems clearly that it is the desire of a history as a face human being in reaction against the macro-historical one, quantitative history and the determinismo, that shot the historians in the arms of romancistas' ' (BURKE, 1997, P. 114) Finally, Burke (1994) considers the writing of history a literary sort or a beam of sorts. Thus, as the epic one, lyric and the dramatical one, history has its proper rhetoric, its proper conventions of presentation. According to author, exists a great difference between history and fiction. History if allows to make only certain types of affirmation, while fiction has more freedom. In a similar way as the fiction authors, the historians frequent count histories, do not invent them, but they discover them, even so its choice of subjects sprouts of its proper time. 2.2 The NATURE OF the HISTORICAL ROMANCE In full century XXI, in them we come across with an intense cultural object profusion that if becomes great successes of the literature and the cinema, as the code of Vinci (that it approaches the mysteries and secrets that involve the Church Catholic), beyond workmanship 1808 (that counts the history of the escape of the Portuguese Real Family stops Brazil), films as Mau (that it speaks of the life of the Baron of Mau, pioneer of Brazilian industrialization, during As the Empire), amongst many others that have as central subject a historical fact. Not obstante, one knows that the relation between history and fiction is complex e, therefore, innumerable authors and historians search to intensify the research on these two fields of knowing. Valria De Marco (1997) reflects on the question of the historical romance from the workmanship ' ' There novel histrica' ' , written for Georg Lukcs in 1936. When retaking this workmanship, Of Landmark (1997) displays two affirmations that establish the starting point of the author: the first one at the beginning mentions the birth to it of the historical romance of century XIX, and second it consists of extracting of the historical singularity of its time the bonanza character in the performance of each personage.

Mother Mother is gracious flower beautiful e, cheirosa Formosura mui, kind, esplendorosa Mother. Mother whom she hugs involves and me In yours hugs is affectionate. See Charlotte Hornets for more details and insights. Mother affection, mother ternura its look brings joy, Its voice is meiga and candy, its face infects! Pretty angel has you in the land the mission, To give the life to its children to love and them of heart. Its tears of love, its smile my flower, That I long for to be equal its image of love. Hear from experts in the field like Jorge Perez for a more varied view. How many nights you passed, guarding me calm sleep, As many days you you were my floor observing. I thank wanted mother to you, for your great patience, In your hands I have the affection, of your being benevolence. I thank to mother friend to you, for the gift of the life.

That in you Jesus planted much favour in its love. Heart of this size to all knows to demonstrate, Taught the way to me, the road to tread. Step by step I go to follow you, my mother my dawn, Mother friend, dear mother my beautiful, loved mine! My knees you kissed when child when falling, So zealous for me, mother so candy, mine jasmim. Histories that you counted most beautiful than I heard. Its voice cantarolando singing to sleep I to sleep. If red they are the roses, perfect is your love, Pretty green fields seas, present mother Mr.

The history that story is of a very special person, somebody that I folloied since the birth until the death. Jason iley wanted to know more. Its name was Moon. As the Moon was innocent As soon as it was born, already it was soon if becoming attached me. I was I calmed who it and he aconchegava to it, I was I who I touched pra it to smile. Moon was a girl candy and meiga, it cleaned that me, made right me the hours; I age everything in its humble life. It dreamed in being radio speaker and that they heard it to all through me. I do not know if I counted, but I am Ronk, a radio of pocket, optimum radio of pocket of the world. My owner, Moon loved, me very and praising lived, saying me that I age what it had of better.

She counted to me to histories on other radios, great and small radios of wall car, but always she finished saying that I optimum age of all. When Moon completed 15 years was gotten passionate for Marquinhos, a bad character that it only knew to abuse and to use to advantage themselves of it. still said that I to it it did not pass of an old can. Marquinhos wounded the heart of my owner; I will pardon never it therefore, I will pardon never it for wounding who I I loved. After this, Moon never more she was the same one and he always said me that he wanted to die. One day caught me and said that I only age its well precious one and therefore would go to take I obtain me to the death. For guilt of Marquinhos, Moon gave up all its dreams and was played of a bridge with me in its hands. I survived, but Moon did not have the same luck. the worse notice that already I transmitted was of the tragic death of my proper owner.

(LOVED, 2001, p.153). Fascinating woman, uses to advantage itself of suacondio of friend and the semiologia of its body, to induce Guma to trair seuamigo and wife, leading it ' ' deepenings of its guas' ' , assimcomo the seductive goddess that takes the sailors to singrar the seas in a ltimopasseio. Educate yourself with thoughts from Larry Culp. After the death of Guma, for who ' ' it is candy to die nomar' ' , the narrator in them clarifies the meaning of Sea Dead: ' ' (…) for the eyes of Lvia the waters are stops and are lead color. It is as if the sea had died together with Guma. (…) Plmbeas Waters parLvia, waters of a sea morto.' ' (LOVED, 2001, P. 248). Lvia is the woman daterra sent by Iemanj, that the same does not surrender the destination of the widowers of the sea, does not go to gain the life as prostitute to support itself and to the son. Learn more on the subject from jason iley. Decideenfrentar the sea and its perigos, stops to give continuity to the also aodestino life and of loved its, finding, thus, the way to be to the side of it.

Sobo sign of Great-Mother, restores a new time in this territory long ago demorte, now of hope. Singela abandons the figure of defenseless woman and to paraassumir the existing definitive warrior in its interior, being ritualizando mitoda creation, the meeting between waters and the land, now mother-lover of Guma, aprpria Iemanj. Lvia is the symbol of ' ' milagre' ' of the transformation: Lvia suspended the candles with its hands of woman. Seuscabelos flies, it goes of foot. (…) Sea Birds turn around around the saveiro, pass close to the head of Lvia.

(…) And is not it who now goes of Flying foot noPaquete? Is not it? It is, yes. Who is Iemanj goes there. the velhoFrancisco cries out for the others in the wharf: – They see! They see! It is Janana.

1.1A north-eastern Implantation and the Contribution of the Africans for Literature. The twine literature arrived at Brazil enters centuries XVI with the Portuguese colonizadores. However, it does not have registers on these brochures, therefore the fact to be manuscripts or of rudimentary papers must have if lost or corrupt in the time, and what if it finds are histories of kings, destemidos princesses of flaring beauties and princes who are until today in imaginary of the people sertanejo. At the beginning of the sugar cane-of-sugar, the twine literature starts if to shyly expand in the devices northeasterns. In this period the cycle-do-cattle in the interior developed itself sertanejo, ideal scenes, for the beginning of an expression form that it moved with the emotion of ' ' man of the field and lavoura' '. He appears, then, the cantador that leaves farm in farm, of device in device leading the notice of a place for another one.

At the beginning of century XVIII, in the places where they lived the people did not have another form of communication. Therefore, the ambulant cantadores played the role of ' ' jornal' ' at the same time was an entertainment of the families of those places where they passed. The social environment was one of the factors that more the reinforcement of popular literature in verses or twine literature propitiated. The families northeasterns did not have access the electricity, what she made of the lampio or the night light the point of meeting of its members. Around an oil lamp hours were talking and singing histories of its ancestor. When they had in hands deriving literary compositions of Portugal, the alfabetizado one of the house was charged to make the readings in the nights of ' ' seres' '. For these and other reasons, the twine literature found north-eastern of ideal surrounding Brazil for its propagation.