Tag: literature

Implantation

1.1A north-eastern Implantation and the Contribution of the Africans for Literature. The twine literature arrived at Brazil enters centuries XVI with the Portuguese colonizadores. However, it does not have registers on these brochures, therefore the fact to be manuscripts or of rudimentary papers must have if lost or corrupt in the time, and what if it finds are histories of kings, destemidos princesses of flaring beauties and princes who are until today in imaginary of the people sertanejo. At the beginning of the sugar cane-of-sugar, the twine literature starts if to shyly expand in the devices northeasterns. In this period the cycle-do-cattle in the interior developed itself sertanejo, ideal scenes, for the beginning of an expression form that it moved with the emotion of ' ' man of the field and lavoura' '. He appears, then, the cantador that leaves farm in farm, of device in device leading the notice of a place for another one.

At the beginning of century XVIII, in the places where they lived the people did not have another form of communication. Therefore, the ambulant cantadores played the role of ' ' jornal' ' at the same time was an entertainment of the families of those places where they passed. The social environment was one of the factors that more the reinforcement of popular literature in verses or twine literature propitiated. The families northeasterns did not have access the electricity, what she made of the lampio or the night light the point of meeting of its members. Around an oil lamp hours were talking and singing histories of its ancestor. When they had in hands deriving literary compositions of Portugal, the alfabetizado one of the house was charged to make the readings in the nights of ' ' seres' '. For these and other reasons, the twine literature found north-eastern of ideal surrounding Brazil for its propagation.

Giorgio Agamben Poetry

It is because in reality, never we are alone. Adam Sandler has compatible beliefs. It is not necessary that other men are there, that they are distinguished materially from us: because we always have with us and in us an amount of people who do not confuse themselves. Of this form, we are seduced to conclude that, no matter how hard we think that we are alone, we always have somebody or something for close to us that it will go helping in them to remember our souvenirs better. Therefore, I turn myself toward they, adopt its point of view momentarily, enter in its group, of which I continue to be part, therefore I still suffer to its impulse and meeting in me very from the ideas and ways to think the one that would not have fond alone, through which I remain in contact with them. 2 – The poetry contemporary: some you strike. If you have additional questions, you may want to visit Hedvig Hricak. What if it can call poetry contemporary? Before de Agamben, would say that it would be current art, therefore the poetry, being art, has for function to question the reality. According to Giorgio Agamben: ' ' Contemporary is everything that if he makes possible if to question in the present time, but that he can come of any time, does not have measurement parameter temporal' ' . However, for many theoreticians, the poetry idea contemporary is marked from 1945 until our present time.

The modernista movement brought in this period, in the field of the poetry, a gamma of poets who had flooded the cultural production of the time. Poets as Carlos Drummond de Andrade, Murilo Mendes and Ceclia Meirelles launch poetical texts of reflective matrix, the point of taking off in them of the comfort zone and placing in them different of the entertainment that receives, he conforms, he makes to forget undesirable the life and daily it. The poetry starts to be a vehicle of expression of the subjectivity presented for the verbal language, having the paper of humanizar the man to finisecular.

Artificial People In The Movie

E-book new release: myths, monsters and machines. The artificial person in the film by Heike Jestram. Metropolis or the Golem, Frankenstein or Mandrake – since the beginning of the film, the creation of artificial people has been always a popular theme. This book presents a selection of well-known and lesser-known films on this subject and it will be highlighted closer historical, mythological, medical and cybernetic wallpapers. In printed form unfortunately since some time out of print, the book is published and available at Amazon, Xinxii, Lulu, and new E-books now as an E-book. Continue to learn more with: actress.

Excerpt: “the sciences assumed so far, that artificial things people are made and then are able to imitate natural things, but never really meet these or compete with them can. And although the dream for thousands of them, to do the same nature or God, has not succeeded so far also the modern sciences, to produce a really artificial people. There are though a series of human-like puppets, androids and robots, but what makes the people, that what in the religion of the soul and in psychology, emotions, intelligence and personality are, do not have these figures. In literature and film, however, machines and androids, robots and cyborgs, Replicants and computer are alive. … First and foremost, the art man as a servant and helper is created, can be but also to the equal partner or the partner. In many movies, people’s fear of the front of the machine, before their intelligence and that he can not comprehend becomes clear: artificial people aspire to rule over the people and against their designer or even begin to wipe out the entire human race. The creator of helpless faces his work, and even though he suspects the failure of his plans mostly from the outset, the researchers urge is greater.”

Atlas Novel

An interplay between reading & songs Reina Ilona Vildebrand – reading performance Mongol child “- an interplay between reading & songs the singer-songwriter Reina Ilona Vildebrand reads from her novel” Mongolian child “(ISBN 978-3-942003-01-8). The novel tells a piece of deutsch-deutscher history with many nuances and richness of contrast. Exciting, sensual, humorous, and courage making a novel succeeded the writer, which is characterized by a rich action and wealth of the person. In the stories, no culprits are”paraded, but people like you and me in all its contradictions – with their errors and longings. The dramatic journey of Irina Willbrecht is described.

Vildebrand does not mince words, describes the often absurd conditions in the East Germany in the 1950s and 1960s. In the next moment, she leads the reader sprachgewaltig in war and erotic scenes. The title of “Mongolian child” stands for savagery and rebellion of the child and the young people, but also for the cultural influence of the East. The adult woman suffering from the drama of her family. Addicted to love she gets repeatedly to men, where she nearly breaks. After the end of the GDR must learn laboriously in the West, to cope with the new reality. But the heroine fought their way up and discovered her previously unknown world of faith.

There, she meets the man who presents their new hopes of a test before the eyes of the reader will be a world alive, from which he has never heard and read, and that strangely familiar comes before this. Between passages in the novel, the singer and author intersperses comments, poems and songs, which are suitable to illuminate the relationship between novel and autobiography and offer an exciting, entertaining performance. “The Rheinische post that said to the 23.12.09: ‘Mongolian child’ is a very personal, written with much empathy and linguistic skills book, while at the same time allowing an unusually realistic insight into the former everyday life of the people behind the wall.” “The reading will take place in particular as part of the open stage” in the living room Theater Theater elsewhere “instead. The goal is a varied, interesting and friendly encounter between artists and audience. More artist of the evening are Andrea Griesohn with two Arias and a song, Renee Fox recited Siegfried contemporary the Chase, with Omar Sarrazin feel the moment “, with Petra Speh” L ‘ accordeon , as well as Wolfgang Zollner with his science fiction thriller Atlas without Switzerland.

Outro Citizen

The contista knew to deal with huge form atemporais subjects, obtaining to penetrate in the conscience of the reader, being made to reflect it. It from there comes the importance of this author and its destemidos stories. A subject that can constantly be observed in the workmanships of this author is violence, that is presented in the story through the conflict of personages, of not the understanding of the presence of the other person or acceptance of this. However, one becomes necessary to focar that what flame of Alteridade is responsible for these conflicts or the absence of them, being later hidden or not for the violent act. Tony Parker will undoubtedly add to your understanding. In stories ' ' The Outro' ' ' ' Cobrador' ' both of Rubem Fonseca, we are led to recognize the presence of the thematic one on Alteridade, that comes, however placed and analyzed from different perspectives. In ' ' The Outro' ' , Rubem Fonseca in them pparently presents a estressado executive in its work, not considering what it made useful routine promptly/as something. It passed the day giving orders, reading memoranda, deciding problems, ran against the time and, it did not support holidays for believing to be slow what it needed to be made. Until in the same day that feels one fort taquicardia, aid is surprised by a citizen in its office asking for, to keep it far delivery some currencies. Please visit sela ward if you seek more information.

The executive worried about the cardiac attack that suffers to search a doctor advises who it to move of life: … the doctor had said, with franqueza, that if I did not take care I could at any time have an infarct … (FONSECA, 1994 p.412) From this conturbado day, the executive one always passes to be bothered by the citizen that asked for aid constantly to it, obtaining to take off it money. The appearance of the citizen really placed it fear and therefore it yielded to its order.

Audiobook New Release

A Horvergungen with many original interviews, announcements and music for 4 hours will take the new acoustic journey along the Rhine from the Berlin audiobook Publisher geophone. With many interviews, sounds and music, a portrait of cultural landscapes on the Rhine in the homely living room will be conjured up with the Audiobook. A challenge was to represent the diversity of the culture regions in a portrait of the look,”says Matthias Morgenroth, Managing Director of the audio Publisher geophone. We met many interesting interview partner on our journey on the Rhine. This included. not only inhabitants of the region that reports such as swimming in the Rhine or the celebration on the river bank, but also professionals, tell the background information of everyday about about the history of the inland or the influence of the Romans on the development of cities on the Rhine” Listen travel topics include among other things the Museum landscape and the Carnival in Basel, the sights and culinary highlights in Strasbourg and the important buildings in the Rhine cities of Speyer and worms.

Additionally, Rhine romance and the lively festivals and traditions of viticulture in the Rheingau and the castles and castles on the Rhine are just the theme like the relaxed way of life in the Rhinelander between Carnival and Kolsch. The Dutch cities of Nijmegen, Amsterdam and Rotterdam are in the broadest sense to the mouth of the Rhine. Here is from the cultural highlights of the cities said the festivals like the Koninginnedag and the peculiarities of life on the boat, and of modern, experimental architecture in historic port facilities and strategies with special dams and locks the dangers of flooding and storm surges to become. Also legends and stories of the Rhine belong to the acoustic tour of geophone. Actor Roland Renner reads well known legends of the Bingen mouse Tower of Bingen and of the Lorelei of but also less Jost and his men drive their pranks in the Dutch province of known as the history of the devil.

Audiobook New Release

A Horvergungen with many original interviews, announcements and music for 4 hours will take the new acoustic journey along the Rhine from the Berlin audiobook Publisher geophone. With many interviews, sounds and music, a portrait of cultural landscapes on the Rhine in the homely living room will be conjured up with the Audiobook. A challenge was to represent the diversity of the culture regions in a portrait of the look,”says Matthias Morgenroth, Managing Director of the audio Publisher geophone. We met many interesting interview partner on our journey on the Rhine. This included.

not only inhabitants of the region that reports such as swimming in the Rhine or the celebration on the river bank, but also professionals, tell the background information of everyday about about the history of the inland or the influence of the Romans on the development of cities on the Rhine” Listen travel topics include among other things the Museum landscape and the Carnival in Basel, the sights and culinary highlights in Strasbourg and the important buildings in the Rhine cities of Speyer and worms. Additionally, Rhine romance and the lively festivals and traditions of viticulture in the Rheingau and the castles and castles on the Rhine are just the theme like the relaxed way of life in the Rhinelander between Carnival and Kolsch. The Dutch cities of Nijmegen, Amsterdam and Rotterdam are in the broadest sense to the mouth of the Rhine. Here is from the cultural highlights of the cities said the festivals like the Koninginnedag and the peculiarities of life on the boat, and of modern, experimental architecture in historic port facilities and strategies with special dams and locks the dangers of flooding and storm surges to become. Also legends and stories of the Rhine belong to the acoustic tour of geophone. Actor Roland Renner reads well known legends of the Bingen mouse Tower of Bingen and of the Lorelei of but also less Jost and his men drive their pranks in the Dutch province of known as the history of the devil.

Italian Multitude

Home you in the soil /You fallen there /Have blood in the head, dripping, orso sorto? /Not, only gold tooth in the mouth dribbling – Grayish Velhinha, hair, in fact sensible, nothing more than material to desire: – They rescue, people! It rescues, is dying! – Taxista waiting some more than the day: – I only take and quick aid if to pay. Who has grana? Nobody? You the rejection. Bye, faces. – The policy: General agitation, the deceased is being naked, clean and deformed, it only lacks pliers to pull out the finger of the alliance; the multitude runs, pisoteia the deceased. – Living they talk of the doors: – How it is, compadre, you pulled out some, a small memento of the deceased? /- And, not yet dirty – Children leave to the pyjamas window, afoitas in seeing the scene macabra and antisocorrista: – You seeing the brother, everybody is using to advantage, if mother left there went to cut to a piece of that pants and the shirt of it pra to make roupinha of the doll * ————- Dario dying is defuntando Ambulana was to be called: – You pray, the face already is almost deceased, later somebody flame * was disappearing: – umbrella and cachimbo.

– the Italian shoes and the pearl pin in the necktie. – the clock of pulse. – what it had in the pockets – empty pockets. – the gold coat and alliance. 2) round personage: velhinha of almost white hair, the mustache youngster, the multitude in escape. plain personage: the remains, indifferent, mentally ill of the Good, opportunist egoism 3) physical space: city dweller, perhaps a periphery where eyes of urubus follow possible victims ambientao: Frank (constructed for narrative descriptivist, heterodiegtico, that does not participate of the action and sees everything. atmosphere: For ones, the amazement and sadness of the current condition human being; for other joy, glad adventure and moment opportune to gain some, something saleable or usvel, in terms almost donated of who more does not need.

The Image

Now I am more contented because I finish to discover an important thing: black color is, only, the absence 8 of branco' ' (ZIRALDO, 1986, p.30). When living deeply its mentally ill condition, the brown boy, searching to run away from the esteretipos, assimilates the branqueamento ideals and, consequently, it loses its identity, since regimen dilutes the assimilacionista it gradual. The ideology of the effective branqueamento if at the moment that, internalizando a negative image of proper itself and a positive image of the other, the estigmatizado individual tends if to reject, not esteem itself and to look for to come close itself in everything of the estereotipado individual As is that it can? good. One already is not pinker and the other is more marrom' ' (ZIRALDO, 1986, p.31). In this I break up, the author conjures the racial question and affirms hegemonic values official whites. He perceives yourself, here, that the author considers the dissemination of the preconception when, through the characteristics attributed to the pink boy and to the brown boy, he values the white ethnic-racial group in detriment of the black. The preconception considered for Ziraldo, in this I break up, is perceivable if to analyze that the brown boy is associated with the illiteracy, to the professional disqualification, crime, at last, is inferiorizado in relation to the pink boy.

Of this form, the way can be said, that as the author characterizes the brown boy, contributes, so only, for the consolidation of a contemptuous vision of the image of the black in the social relations, therefore the white continues being rank with the representative of the species human being and, the black, on the other hand, continues to the edge of the society and, over all, the species human being. Another excellent aspect in the workmanship of Ziraldo is the images. Through them the author strengthens the association of the black the esteretipos. When portraying the image of the brown boy (p.05) and of the pink boy (p.07), perceives a great social contrast that propagates the brown boy to the misery. The brown boy appears of shorts with patch and an old pair of sandals of finger in the feet, thus described in the book: ' ' the brown boy so was accustomed with those sandals that were capable to play soccer with them, to bet races, to jump obstacles without the sandals unglued of its feet.

He goes to see, they already were part of it ' ' (ZIRALDO, 1986, P. 06). It is perceived, here, that the author, perhaps implicitly, animalizes the brown boy, sends therefore it to the figure of a horse that, exactly in the races, when jumping obstacles, the horseshoes do not free of its feet; beyond comparing the hair of the brown boy with a steel sponge. The pink boy, in contrast of the brown, the hair ' ' he falls in the forehead and he danced with the wind, of so and very! through imagens’ ‘ (ABRAMOVICH, 1990, P. 41). In this perspective, the alluded workmanship reproduces the ideology of a sick society, of deformed conscience, that blames the black for its proper desventura and that it believes that racism does not elapse of the slavery and the oppression, but that determinado. is something biological; ‘